Belonging: Indigenous Australians and Connected Family Relationship Essay

Belonging is the enlightenment felt when man gains an knowingness of themselves, which may or may not include affiliations to others & the wider world. This insight is run aground in the texts of As You Like It by William Shakespeare, The Last Samurai directed by Edward Zwick & The Past by Oodgeroo Noonuccal.As You Like It initially accentuates familial & policy-making usurpation, injustice, exile & the pain of world made to feel that no unity longer belongs in either court or family. The physical take of wrestling inwardly the play metaphorically acts as an impulsive take of grappling amongst civilisation. This diminishes any sense of connection amid urban society & in effect, the court is seen as a world of division, lack of acceptance & where powerless people such as Or overturno do not seem to belong.In the play, belonging, however, develops from the interaction of the characters spirit & nurture. For Oliver & Or set downo these aspects varied. Oliver is of noble birth, y et his degenerate nature contrasts to that of Orlandos. Despite this, Oliver accuses Orlando of being a villain, whilst carrying only hate for him, personifying his soul, I entrust I shall see an end of him, for my soul hates nothing more than he. Henceforth an absence of filial connection existed between the siblings.Nonetheless this lack dwindles as the ii venture through Arden, discovering diverse values, emotions & essentially a forced change of nurturing, with Oliver in particular. He experiences brotherly love & sacrifice, evoking an intrinsical benevolence, in the paradox, Twas I, but tis not I I do not shame to tell you what I was, since my conversion so sweetly tastes, being the thing I am. Oliver now belongs in a connected family relationship, & to a self that he can now perceive as being different from before.Shakespeare uses Jacques to show how the guise of not belonging, veneers a believe to find belonging on another level. Out of these convertities there is oftt imes matter to be heard & learned. In repelling a interpret to the court, Jacques endorses a transcended form of belonging, a self-belonging of a philosophical, intellectual & spiritual degree. Ironically, objet dart isolating himself from man, it is through the company of various temporary characters that Jacques cultivates his conceptions about humanity.From the motion picture The Last Samurai, the concept of belonging is centred on the vagary of kinship & assimilation. Recalling Algrens initial encounter with the Samurai, a reservoir of fear in the change Japanese soldiers is present as they are overwhelmed by their masochistic nature. Zwicks use of fog concocts an atmosphere of ambiguity & evokes panic amongst the moderns, symbolic of their mental unsoundness in contrast to the kinship of the Samurai. Evidently, Zwick shapes meaning by contrasting two opposing societies & values, allowing the responder to realise the importance of belonging.Zwicks attempt to lead the respo nder with an insight into Algrens mentality is achieved with flashbacks & diary entries. The flashbacks are nightmares of Algrens shameful past, which creates within him a resent & rage towards all things, the fondness of his isolation. Likewise the diary entries are an extension on this device in which they keep the responder informed on Algrens current state.Per contra, a clear breaking of disparity emerges as he writes It is here Ive known my first untroubled sleep thus gradually assimilate with eastern culture. The entries begin to represent a lack of defiance & a growing curiosity, the idea of acceptance being associated with understanding & comfort last grants Algren refuge & a sense of belonging.The composers use of symbolism contributes to the financial statement of attaining belonging. The rain is a recurring symbol which represents revelation & growth within Algren & the fire signifies creation & rebirth of a new asylum give with the Samurai. Colour itself is a symbol the dull darker colours are broadly speaking associated with the westernised area, rendering a disconnected aura. On the contrary, we are introduced to the collation of vibrant earthly colours found at Samurai village, betokening a sense of truth, a place where Algren can develop a conceptual understanding of himself & others.In The Past, Noonuccal enunciates her sense of belonging to Aboriginal culture with the direct collocation of the past & present White & Aboriginal ethnology. The importance & connection to the land for Aboriginal Australians is accentuated through metaphoric antiquity, But a thousand clique fires in the forestAre in my blood.The multitudinous campfires insinuates the earthshaking length of Aboriginal history in antithesis with late European resolving power & comfortable duster culture, In easy chair before electric automobile radiator. Noonuccal differentiates past & present to express how an individuals unresolved identicalness can influence their belo nging in the present. Noonuccal fails to find association with present, white ethnics due to her inability to relate & attain solidarity.As an Aboriginal Australian, Noonuccals belonging lies within her Aboriginal identity & her strong mutuality with nature, the land, her ancestors & the past. Her business firm belief in animism expresses the camaraderie she shares with her environment. Personification is employed to communicate the idea of animism, as seen in the third stanza, The tall surrounding trees that stir in the wind. Noonuccal achieves a state of harmony through an intimate alliance with the land that shapes their integrity.Ultimately, through the use of various literary techniques & discussion of the texts, it is prominent that