Symbolism in Hawthornes Young Goodman Brown Essay -- Young Goodman Br

In Nathaniel Hawthornes Young Goodman brown the use of symbols contributes to the development of the storys plot. Symbolism is used as a sum to uncover the truth about the characters. The author, in an attempt to manifest the example aspects of his society, uses some kinds of symbols to support his points. When analyzing an allegory like Young Goodman chocolate-brown, the subscriber must realize that the story is in its entirety, a symbol. Hawthorne, through his penning is trying to convey the contradicting aspects of the Puritan ideology. This is made evident after discovering that Goodmans vex burned an Indian Village and his grandfather lashed a Quaker woman. By Hawthorne including these acts of violence, he is revealing that the perfection thought to exist in a Puritan society is not so real. Not only old but present characters contribute to this belief. In the confinements of the forest, one sees how all those who ar part of Goodmans present also have a dark billet to haunt them. Many argue that it was a dream. However, Hawthorne was trying to demonstrate a larger picture. Whether through a dream or reality, it is clear that he wanted to challenge the so call Utopia of the Puritan society. In many parts of the story the reader comes across symbols. Although some may be more lucid than others, one must focus on flesh out in order to find more than the obvious. For example, the title Young Goodman chocolate-brown in itself holds major significance. It gives the reader a pretty good comment of who the protagonist is. Young Goodman chocolate-brown is young and therefore inexperienced, impressionable, and easily influenced. As the story continues, the reader realizes all these to be true. For one thing, Young Goodman brownish and his wife Faith,... ...6. 5 2737-40. Fogle, Richard, H. Hawthorns Fiction The Light and the Dark. Oklahoma. University of Oklahoma Press, 1964. Hawthorne, Nathaniel. Young Goodman Brown An Introduction to Reading and Wr iting. Ed. Alison Reeves. New Jersey Prentice Hall, 1995. Shear, Walter. Cultural chance and social freedom in three American short stories. Studies in Short Fiction, fall 92, Vol. 29 Issue 4, p543, 7p. Swisher, Clarice., ed. Color and Images in The crimson Letter. Readings on Nathaniel Hawthorne. Greenhaven Press, Inc., 1996. VonFrank, Albert J. Pretty in Pink Young Goodman Brown and New-World. deprecative Essay on Hawthorns Short Stories, Boston G.K. Hall & Co., 1991. Zanger, Jules. Young Goodman Brown and A White HeronCorrespondences And illuminations. Papers on Language & Literature. summertime 90, Vol. 26 Issue 3, p346, 12p.