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Visual arts EssayVisual arts which ease up use of unusual media and technique, such as collage or origami, tend to both benefit from and be challenged by the medium and technique tangled. A viewer is apt to react first to the medium and technique and perhaps, because of this, thematic or pronounceive ideas may be perceived as secondary to the impact of a given guide. For example, a piece from the Origami NOWexhibition such as Eric Joisels Pangolin is very efficacious at eliciting a response of admiration and even surprise of wonder at the technique involved in sculpting (or more properly folding) paper into the shape of a convincingly realistic animal mannequin which suggests an armadillo. On the other hand, although the animal offers a meaningful gesture, as though it is eating or drinking, the boilersuit impact of the piece fails to gain any truly expressive or meaningful energy. It is simply a technically admirable piece. By contrast, Joel Coopers Gemini, is a deeply e xpressive piece which evokes stone relief carvings in origami.The faces are, themselves, primitive and expressive, but the thematic impact of the piece is much deeper than the surface level facial formulation of the pieces central somas. The piece derives important impact from its sub-text of transference ancient stone to ephemeral paper, which makes a arguing about piece civilization and history and the fleetingness of human monuments, and arty itself, while simultaneously elevating the ephemerality of the medium and technique (origami) to a sympathetic relationship to ancient art and antiquity.Yet another piece, spindle Sphere, by Thomas Hull, straddles the line between expressiveness and technical precision without ever falling precisely on one side or another. In effect, Hulls piece is the most harmonious of those examples of origami on exhibition at PEM. The overt impact of Hulls piece is that of geometrical expressionism, using a complex geometrical shape to express them e.In my opinion, Hulls Spike Sphere is meant to represent no less than the entire human cosmos in a single figure of origami. I said human because the piece reflects a particularly human concept of wholeness as in other geometrical abstractions globes, the atom, stars, galaxies and even some scientific models of the multi-verse. Hulls figure is spherical and colored like a budding flower, but spiked suggesting pain, danger, emotional response.This precise signifier of human emotion and abstract form, coupled with organic coloring and an holistic gesture elevates Hulls piece to the highest levels. This work is a masterpiece which reveals the origami, as a medium, embodies much more than the stunned admiration for technique and brightness associated with folding paper creatively and expressively.ReferenceAnonymous, PEN. Origami Now www. pwm. org, 2008. accessed 6-12-08 http//pem. org/exhibitions/exhibition. php? id=65